After having seen Netflix's Watership Down miniseries, I've recorded some thoughts on it, and the book it was based on, which is a beloved longtime favorite of mine. Part 1: "A war story on the downs" - The nature of the story in general - An overview of the three main characters from the book … Continue reading A war story on the downs — review of Watership Down, part 1
Here continues my musing on some tropes that frequently recur in my writing! Specifically, analyzing my tendency to use what I refer to as "Soft Masc" protagonists-- "a male character with a presentation that is fairly normatively masculine, but with a preponderance of personal qualities that were traditionally coded as feminine" --and how that manifests. … Continue reading Tropes in my writing: Soft Masc characters, part 3
Here continues my musing on some tropes that frequently recur in my writing! Specifically, analyzing my tendency to use what I refer to as "Soft Masc" protagonists-- "a male character with a presentation that is fairly normatively masculine, but with a preponderance of personal qualities that were traditionally coded as feminine" --and how that manifests. … Continue reading Tropes in my writing: Soft Masc characters, part 2
Had a second crack at my Crow makeup! I think I made a real stride forward. This time I remembered to prime my skin first, the way I did for my Death makeup, and it made a big difference. I used Nivea Men's Post-Shave Balm, which is a great cheap primer for full-face makeup. I … Continue reading Girlcrow, mark 2
Here begins my musing on some tropes that frequently recur in my writing! The trope that has become increasingly important to my work in recent times is what I’ll call the Soft Masc— a male character with a presentation that is fairly normatively masculine, but with a preponderance of personal qualities that were traditionally coded … Continue reading Tropes in my writing: Soft Masc characters, part 1
I remember back when as a child, when I had strong impulses to write but not as much practical knowledge or exercise of the craft, I first noted that some people seemed to often come back to the same ideas or even tropes in their stories again and again, particularly as their bodies of work … Continue reading The ideas I keep coming back to
For a while now I've had a bee in my bonnet about putting together a costume, maybe even something that would could as a cosplay, for a gender-swapped version of the Crow. Being a good little goth deep in my soul, I've always been a fan of the Brandon Lee movie; I know it's not … Continue reading Girlcrow, mark 1
This is excerpted from my upcoming article in Game Wrap Magazine, volume 2-- "No battle plan survives contact with the enemy" about the tension between narrative design and player autonomy. I pulled this part out because it's applies structure in all storytelling forms, not just larps. One of the tools storytellers use to shape narrative … Continue reading Defining literary structure
In the last several years of my becoming more of a serious writer, I've developed a particular system to think about it. I've found that whenever approaching a craft, it helps my brain a lot to think of it in terms of a series of concepts with specific definitions associated with certain purposes. I believe … Continue reading Toolbox theory of storytelling
One somewhat controversial thing I believe about writing is that it's very good to be able to imitate other writers' styles. Other writers and scholars thereof might disagree, failing to see any practical application for it, and protesting that it's more important to refine and develop your own unique voice rather than trying to copy … Continue reading The skill in imitation
